Dear Theo

Dear Theo is a book I illustrated last year for Biblica¹. A full print run and release is scheduled during 2018. It is a combined volume of the gospel of Luke and the Acts of the Apostles. The ‘Dear Theo’ title comes from the opening paragraph in each volume where Luke is explicit about wanting the ‘most excellent Theophilus’ to know that just how certain the foundations of the Christian faith are. 

Dear Theo comes with the incredible ability to balance like this in public spaces.

Dear Theo comes with the incredible ability to balance like this in public spaces.

Here are some background/process notes:

The Jesus Comic

A few years back, I had the idea of creating a visual version of the story of Jesus to reinforce and supplement material I was delivering in the classroom. I didn’t intend it as a replacement for the Bible text, but as a kind of complement or alternative way of reflecting on the taught material (fancy-pants educational theorists call this ‘dual coding’). I worked through this project and eventually self-published it as ‘The Jesus Comic’. I was so proud to have Dave’s Comics in Brighton support me in selling copies of my first book!

I can't tell you how excited I was about this.

I can't tell you how excited I was about this.

Then, working with a couple of kind friends², we also released an iOS app version. It was very exciting. We didn’t turn the world upside down but it did sell a few hundred copies. 

Look at that: an iPad3 displaying our £2.39 app in an Apple Store no less.

Look at that: an iPad3 displaying our £2.39 app in an Apple Store no less.

Life Changer

After this I was approached by The Goodbook Company³ and the material was edited into a more streamlined version which was titled ‘Life Changer’. Lots changed⁴, but I was delighted to be published and contribute to a wider audience. 

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TAOTA

Just after I started selling ‘The Jesus Comic’ there, the manager of Dave’s Comics had made a throwaway comment to me about my ‘next’ project that wormed it’s way deeply into my mind. He suggested doing something about the book of Acts (for those who aren’t clued into the BIble, this is the account of the early adventures of Jesus’ followers after he had died, resurrected and ascended).

Eventually I succumbed to this prompt and spent a number of weeks working my way through the narrative in the Acts of the Apostles . Taking a blank sketchbook, I printed out the entire text and pasted each of the 28 chapters onto double pages with lots of space for scribbling as I went.

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I worked through each section intensively for a number of weeks. In the end I had a lot of unrefined imagery and ideas bouncing around. It was provisionally named ‘TAOTA’ (The Acts of the Apostles) and then stored away for a couple of years.

Biblica

After a few false starts and pauses I was eventually signed up with Biblica⁵ in 2016 to produce a 100+ images to accompany a volume of Luke/Acts combined. I was able to take a lot of my prior thinking and adapt it to something useful. 

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The process at this stage was typical of my work at the time - working with an iPad Pro and Apple Pencil, I used Notability to draft quick roughs on a multi-page PDF before completing the finals in Procreate.

Final thoughts

In the end I have been delighted with this project - Trevor Wilson and John Dunham were a pleasure to work with. The NIrV translation text works really well alongside the images. Here is a link if you are interested in purchasing a copy. 


¹ Formerly known as the Bible Society.

² Tony Waghorn and David Butler no less. 

³ Thankyou Tim Thornborough.

⁴ The American market associated ‘Comic’ with something less serious so they changed it. The cover had a different orange - more fluorescent. Production-wise I used a iPad3, a Maglus Stylus and Adobe Ideas to draw the vector images. One other huge change was the impact of being edited - the result is tightly focused and has a greater clarity to it. I learnt loads about working through the editorial process and letting go of those sacred little darlings (thanks, Carl Laferton).

⁵ Thankyou Trevor Wilson.

#draw365 retirement

(UPDATE - 5/2/19) After some reflection I decided to permanently retire my Instagram account. It was great while it lasted but I think there are times for cutting back and achieving simplicity/focus. This is such a time.


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So, part way through my third year of the #draw365 project (791 posts!) I have decided to give it a rest in favour of diving into deeper¹ material. The last three years has seen a lot of stuff happening and I have enjoyed the discipline of drawing something every day. 

So was it worth doing?

Definitely. Here are some (personal) thoughts:

  • As a space for personal reflection I have found the discipline of #draw365 invaluable - I have developed a set of visual-reflective muscles that feel restless without the exercise of reaching for my sketchbook. While I don’t intend to stop reflecting - I won’t be posting them online every day. Every artist needs the space to reflect, and this has been a huge help to me.

  • As a means of interaction and discussion with my students it has been terrific. Beyond the online ‘likes’ I have often used these pictures in class to discuss something currently going on in the culture².

  • Drawing things quickly and not fussing about the results. There is something wonderful about doing something from a deeper, instant conviction and not spending too long on it. I continue to find it frustrating and wonderful that my best stuff didn’t take that long to craft.

My electric dutch bike was always a source of hilarious banter with the year 9 '8.08 crew' boy-racers.

My electric dutch bike was always a source of hilarious banter with the year 9 '8.08 crew' boy-racers.

What are the down-sides?

  • Occasionally my observations are too frank for public consumption. I then find myself caught between the need to keep my #draw365 routine or relationships(!). Not having to post daily means I can still think/reflect while reserving a protective barrier.

  • The pressure to keep it going - this is a tricky one that comes back to a whole bunch of factors - the quality of the imagery (is it good enough? Am I overdoing it?), how you feel it reflects on you (and whether narcissistic crowd-pleasing tendencies matter), maintaining a natural organic feel (vs refined/artificial production).

I hope that these are useful thoughts for anyone who is thinking of doing something similar.  I will certainly continue to post material on there but the hashtag is going into retirement from today.


¹ Lots of artists and writers make the observation that their best work is cheapened by the daily energy being donated to social media. Instead of seven half decent images - why not one each week with six discarded drafts? 

² It’s worth mentioning here that in the age of despicable online grooming and horrific child protection scandals, teachers are rightly required to follow strict professional codes of conduct online. This is why I never post personal photos or follow student accounts. Any communication always stays out in the open. This stuff matters.